Thursday, July 31, 2008

Is Brad Pitt an "Inglorious Bastard"?

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If you believe the rumors, then yes, he is. Today Brad Pitt's reps confirmed that he's officially in negotiations to star in Quentin Tarantino's long-gestating war epic, Inglorious Bastards. More on this match made in heaven, after the jump!



So after several weeks of much-hyped info released in Hollywood regarding Tarantino's new film, which he released to the major studios in search of backing, it looks like the thing a set to go with Pitt, as well as being released through Universal. Furthermore, those rumors that Tarantino was pursuing Leonardo DiCaprio to costar, are apparently false.

According to The Hollywood Reporter, "Two story lines... converge: One follows a group of prisoners-turned-soldiers whose mission is to take down a group of Nazis, and the other follows a young Jewish woman who seeks to avenge the death of her parents by this Nazi group.

Pitt has been firing on all cylinders as of late (and not just his personal life), balancing both commercial fare (the Ocean's movies, Mr. and Mrs. Smith) with prestige pics that have given him some of his best performances (Babel, The Assassination of Jesse James by the Coward Robert Ford). Tarantino's last effort, Death Proof, was the stinker in his Grindhouse collaboration with Robert Rodriguez. However, his revenge opus was frenzied over by critics and crowds alike, and has quickly become a cult classic of grand stature.

The pairing seems like a fantastic match. Tarantino has a way of getting great performances out of his actors. Maybe one that might grab Pitt an Oscar nod for once (Jesse James was sorely overlooked). Plus Pitt's presence ads to the chances of commercial success that allows Tarantino to, thankfully, have creative control. Added bonus: Tarantino has already written for Pitt before as a stoner in True Romance (which has been the recent influence of James Franco's character in Pineapple Express).

So with DiCaprio seemingly out, who should be in? Clive Owen would be a smart pick. He's played a Jewish prisoner before in the 1997 film Bent, and he's already been directed by Tarantino before, when he "Guest Directed" the car scene between Owen and Benicio Del Toro in Sin City.

Continue reading "Is Brad Pitt an "Inglorious Bastard"?"

Wednesday, July 30, 2008

Absorb This: Freddie Prinze Jr. and the WWE Become a Tag Team

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If your first response upon reading that title is "huh?" you're probably not alone. After all, in Freddie Prinze Jr.'s career trajectory, most people probably never saw a creative partnership with the WWE, land of faux-wrestling and enough drama to make Meredith Grey's head spin.

But yes, it's true, Prinze and the WWE are teaming up in a "behind the scenes role that will contribute to the WWE's weekly television and pay-per-view programs". Does that mean he's becoming the new Vince McMahon? One of those behind the scenes guys who also portrays a "villain" in this soap opera with speedos? Regardless of what Prinze's role may be, is this really a good idea?

Don't get me wrong, Freddie hasn't exactly been pulling in the offers as of late it seems. After a string of failed films and an unsuccessful sitcom (remember Freddie? Neither does anyone else. Hell, even IMDB is trying to forget it), lord knows he was in need of something to bring home the bacon. But does this really have the air of a "comeback"? Everyone loves a decent pay cheque (and Sarah Michelle Gellar may want a break from being the breadwinner for once), but is this going to help Prinze in any sort of attempt at gaining national attention. Not so much. I agree that TV is a good place for Prinze at this point in his career. But maybe try joining a strong ensemble cast in a freaky dramatic series, a la Lost or the upcoming Fringe? His previous roles don't promote much in terms of dramatic skills, but he always had that relatable charm that made him a success back in the She's All That days.

Who knows though. Cyndi Lauper joined up with the WWE in the 80's and it worked for her. Maybe Prinze can make it work, and possibly in turn bring the WWE back into the limelight as well, something that has significantly worn off since the Rock left. Even still, I have a feeling that this is gonna take more than a few Hulkamaniacs to make this work. Continue reading "Absorb This: Freddie Prinze Jr. and the WWE Become a Tag Team"

Emmy Hosts 2008: Bringing the Unfunny

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So the hosts for the Emmys this year have been announced. Yes, that's right, hosts. As in plural. Like, five. Apparently the Emmys didn't learn from last year, when they had Ryan Seacrest bring a whole lot of lame to the big TV party. Instead of giving the job to someone who could actually bring on the funny, they decided to spread the lack of laughs around to the five nominees for Best Reality Host. In case you weren't sure, that means the hosts for Emmys 2008 are:

Tom Bergeron, Dancing with the Stars
Heidi Klum, Project Runway
Howie Mandel, Deal or No Deal
Jeff Probst, Survivor
Ryan Seacrest, American Idol

So why's this such a bad idea? After the jump!



Well, like I already said, none of them are funny. Yes, Mandel is a comedian, but even he barely gets a chance to leave 'em rolling in the aisles on Deal or No Deal. While none of them are stuffy per se, certainly they don't bode for greater entertainment than the lame gay entendres shared between Seacrest and Simon Cowell on American Idol. Is this really the best they could come up with?

Hosting an awards show is pretty much a thankless job, just ask David Letterman. But why not go for someone who would be boldly willing to provide some off-kilter humor to an otherwise sleepy awards show? Jimmy Kimmel, Sarah Silverman (who should be forgiven for her hosting shenanigans at last year's MTV Movie Awards), Chelsea Handler or Amy Poehler would all be great choices. Heck, even Margaret Cho has a show on TV now, so doesn't that make her count too? Even getting the finalists of Last Comic Standing to host would be a cool choice. The crop of humorous TV talent is definitely out there, the Academy should have taken notice. It's a shame that the only thing that will keep me laughing at this year's Emmys will the the choice of hosts.

Continue reading "Emmy Hosts 2008: Bringing the Unfunny"

"90210" vs. "90210": And the real stars are supposed to be...?

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So the CW is going full-force with the hype for their new Beverly Hills 90210 update coming this fall, 90210 (I guess the new generation has no attention span for the actual name of the zip code?). My only question is, who are the actual stars of this show, the oldies who are returning (catfighters-in-waiting Tori Spelling, Shannen Doherty and Jennie Garth), or the new cast who's supposed to carry this newfangled update? With new flowing in regarding the use of the Peach Pit, and even the return of Joe. E. Tata (why? Romantic foil for Jessica Walter is my bet), take a look at the pros and cons of all this nostalgia. Where? After the jump!



Don't get me wrong, the return of Donna, Kelly, and even Brenda Walsh(!), does peak my interest. After all, as a diehard fan of the original series (the first series of which I can say I watched the entire thing from season 1-10), it's that nostalgia that is gonna bring in the demographics beyond the Gossip Girl crowd. And since she never returned after her booting from the original after its fourth season, lord knows that older demographic is uber interested to see what her deal is (myself included).

That said though, why is the CW failing to hype the rest of their cast? In all of their press releases, the information is all about the old crowd, never the new one. For all of the hype, it's not matching the promo material released so far, as it's all pics of the new crowd. The info they're spewing doesn't match. Why should we care about these people in the promo pics, when we have no idea who they are? It's not like the new cast doesn't look appealing, and the older additions certainly give them some leverage (Arrested Development's Jessica Walter, Full House's Lori Loughlin). Why not throw us a bone about all of them for once?

Because here's the big kicker: Doherty is only signed on for a brief few episodes, and Garth's Kelly will only be sticking around on a recurring basis. Hopefully, 90210 will follow the mold of Degrassi: The Next Generation, by making people come for the old crowd (even though Joey Jeremiah lost the hat), but stay for the new crowd with quality storytelling. However, for that to work, they've gotta make the stories actually good. The original 90210 was a groundbreaking series in the teen format back in the 90's. Let's hope for Aunt Becky's sake that lightning strikes twice.

Continue reading ""90210" vs. "90210": And the real stars are supposed to be...?"

Preview Review: The "Harry Potter and the Half-Blood Prince" Trailer

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Two weeks ago when The Dark Knight premiered, Warner Bros. posted an IMAX trailer for Harry Potter and the Half Blood Prince. Unfortunately, it only consisted of some brief dialogue accompanied by the title credits. The only attention it ended up receiving was a brainless 30 seconds that would then be wiped from the viewers memories by the proceeding 2 1/2 hours of Batman brilliance.

Needless to say, Warners probably felt they needed to come up with something juicier fast (especially with their lack of HP presence at Comic Con this past weekend. Who's getting fired for that one?). Thankfully, this one pays off. Check it out after the jump!






While this doesn't contain any real footage of Harry, it does good on setting the chilling tone of the mysteries to be revealed in HPATHBP regarding that pesky Captain of the Creepos, Voldemort. Ralph Fiennes, who plays Voldemort, even has his own nephew (Hero Fiennes-Tiffin) portraying him as the young Tom Riddle. The kid does a great job in the brief scenes here, showing that curiosity for his newfound power, and those hints of how he'll abuse it. Oh yeah, and that shot of Dumbledore in kickass flaming wizard mode (no pun intended) gave me the tinglies.

With no more books to come, I'm pumped that this one looks to keep that unique streak alive and make an even more satisfying Harry Potter film than the last.
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Saturday, July 26, 2008

UPDATE: Heath Ledger as the Joker

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So awhile back I posted a little ditty about whether or not the hype regarding Heath Ledger's performance as the Joker in The Dark Knight was justified. Having seen it, I can now have a valid opinion.

Every last word regarding the amazingness of Ledger as the Joker is more than justified, it's entirely deserved. Give the man an Oscar nom. And many more for the rest of the movie, since his performance is merely the icing on the cake that is not only the best superhero movie I've ever seen, but one of the best films I've seen, period. Go see it. Now.
Continue reading "UPDATE: Heath Ledger as the Joker"

Why Cat Deeley Should be the Host of Everything.

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I've been a hardcore fan of Fox's So You Think You Can Dance since day one, when few people (at least less than now) witnessed the wonderfulness of Nick Lazzarini and Melody Lacayanga dancing their little hearts out. The original host in season one was Lauren Sanchez, who did not return for the subsequent seasons when she became preggers (did Nigel Lythgoe not like his host to have a baby bump? Who knows).
When Sanchez was replaced with Brit export Cat Deeley in season two, I found this to be the second season's biggest creative landslide, as it seemed that Deeley had a fear of live audiences. Combined with heinous outfits. And a seemingly ingrained inability to read off a teleprompter accurately. All in all, not such a fantastic host. But I let the whole thing slide, especially in the face of mind-blowing dances choreographed by Mia Michaels, and the cuteness of season 2 runner-up Travis Wall.

Yet now we're well into season four ("IV real!!"), and my love of Cat Deeley has grown over the past few seasons, so much in fact that I think she's the best host of any reality competition, in any genre, in all of TV. Why? After the jump!

It's simple really. Cat Deeley CARES (somebody put that on a button).

Never before in my long-running history of watching reality television (both good and uber-crappy), have I witnessed a host who continually is willing to put her own feelings on the line and develop personal emotions for the contestants. This can be witnessed in virtually every episode of SYTYCD. In the early episodes of each season, Deeley is continually on the front lines, consoling heartbroken potential competitors who have their dreams crushed. Too often does reality TV fail to convey that, while many of these competitors may not be talented enough to make the top 20, they still have hopes and dreams that can be crushed by the judges, sometimes a little too viciously. To have someone outside those big hotel doors, another essential member of the cast who is willing to console them genuinely, is incredible, but Deeley surely hasn't been planted there to be the foil of the judges. What she does is genuine.

Case in point, this week's elimination round, during which fan favourite Stephen "Twitch" Boss landed in the bottom two. The crushed look on his face as he turned his back and got down to both knees in sorrow, was heartbreaking. What made it uplifting though, was Deeley's instinctive move afterwards, when she immediately went to Twitch and consoled him, helping him find the courage to stand back up. has anyone else ever seen anyone do that? Tom Bergeron certainly isn't offering out free hugs to the D-Listed actors who get the boot from Dancing With the Stars.
Furthermore, Deeley is made of steel when it comes to the reactions the judges often have. When contestants are dragged through the mud by Nigel Lythgoe and screamaholic Mary Murphy, Deeley is often the first to challenge them on their opinions, often counteracting them by pointing out how previous performers had made similar mistakes, and yet would receive nothing but praise. Sometimes the judges on SYTYCD are a little too biased in their opinions, and the show needs someone like Deeley to help keep them in line. Some may say that it's all planned, but I don't believe it. Not even Meryl Streep's acting is that good.

And those shallow qualms I had when Deeley first started during SYTYCD's second season? Obliterated. Whatever nerves she may have had, obviously this woman has made herself comfortable by becoming a reality show host in a class all of her own. Some of her wardrobe choices are a little interesting, but we can blame that on the fashion department. Even the Gods of reality hosting, Survivor's Jeff Probst and American Idol's Ryan Seacrest, have been mailing it in for years. Idol has been needing a refresh for the past few years now, so why not give the boot to Millennium Dick Clark in favor of someone who's actually genuine? Suck on that, Seacrest. Deeley does it better any day of the week (mainly Wednesdays and Thursdays).
Continue reading "Why Cat Deeley Should be the Host of Everything."

Friday, July 18, 2008

100 Listens To Make Me Love You: Usher's "Love in this Club"

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Aside from his rippling abs, I had never been a huge fan of Usher. While a few of his songs adorn my iTunes, they mostly arrived there in preparation for various parties where the music was best left at an uber-mainstream level to satisfy everyone. While i totally understand why many others have fallen under his spell, for some reason, the guy just gave me that ick feeling. Maybe it's his self-admitted man-whorishness. But mostly it's that I never found his songs catchy. This all changed though in 2004, when his Confessions album exploded and proved to have not just a song or two, but an entire album of infectious ditties. I thought that maybe the tide had turned in my opinion of Usher.
Then along came his single, "Love in this Club", off his latest album, and the first time I heard it, I felt myself slinking back into the "meh" feeling I'd always had about Usher. But after at least 100 listens, I've changed my mind. Why? After the jump!

Well first off, ANY song may start to sound catchy on the 100th listen. I get that, but it's not always the case, hence why my ears still bleed every time I hear anything by Creed.
What made me hate it in the first place? As the lead single from his new album, I was expecting "Love", especially from the title, to be another blazing club banger in the vein of his 2004 uber-hit "Yeah!". No cigar there. I could hardly find myself tapping a shoe in a pub to this song, let alone instigating a badly choreographed drunken dance-off among friends (yes, we're just that cool). Simply put, this mid-tempo tune was a disappointment.
Secondly, the video made me seethe with its outright pimping of Usher's friends. P. Diddy, Keri Hilson, Kanye West, and others are prominently featured in the video, doing nothing more than looking pretty, in an otherwise uninspired video. Maybe that's needed in a video for an up-and-coming star in order to get their video noticed, but Usher? Not so much. Video name-dropping your friends does not an exciting video make.
So what made me change my mind? Actually, it wasn't Usher at all, but mixmaster Girl Talk's new samplelicious album, Feed the Animals. Somehow, hearing "Love" blended seamlessly with Megadeath and The Cure made me appreciate those midtempo synth beats more than I ever did when it was just usher singing along to them. Suddenly, I found myself bopping along and then inexplicably saddened when Young Jeezy got cut off in favor of a sample of Soulja Boy (ugh). Next thing you know, I'm scrolling through my iPod to listen to the song in its entirety. And then it rained frogs. Y'know, stranger things have happened.
So maybe it wasn't Usher who had anything to do with it, and the cred should go to Girl Talk and his masterful sampling abilities. Regardless, it made me a fan of Usher's latest. And judging by how his latest single, "Moving Mountains" is going nowhere just as fast as the new album's disappointing sales (for Usher, that is), I guess the perennial ladies man should take the fans where he can get'em.
How about you readers. Ever have a song that you hated initially but ended up caving on and thus, loving a few months (and 100 listens) down the road? Post'em in the comments!
Continue reading "100 Listens To Make Me Love You: Usher's "Love in this Club""

Saturday, July 12, 2008

The Hype of Heath Ledger as the Joker: Justified?

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I was making dinner on that sad and cold day in January when I received a text from my friend Jen that Heath Ledger had died. After gasping and maddeningly flipping through the channels on TV to confirm the news (thanks, CNN ticker), and holding back a few tears, I pondered what it would be like in six months time, when his final film, the upcoming Batman sequel The Dark Knight, would be released.
Now the praise and hype regarding Ledger's performance is coming in faster than the Batmobile, here's a take on whether hyping his performance (even before the movie is out) is justified. Check out the analysis, after the jump!

Anti-Hype: Judging by the latest Entertainment Weekly article on The Dark Knight and Ledger himself, everyone involved with the production from Christian Bale to Christopher Nolan, would much prefer to talk about other elements of the film aside from Ledger as the Joker, as it still seems to bring grief and sadness to the cast. Let's keep in mind that, especially for a superhero film, the credentials of the cast and director or incredible, with each actor being worthy of the same amount of attention as Ledger. Furthermore, with the film already garnering fantastic reviews regarding it as a genius work of crime fiction and possibly the greatest superhero movie ever made, there's obviously plenty of hype to spread around the the cast and crew, as well as to the film itself.

Furthermore, while Warner bros. has been classy and cautious in using Ledger in their marketing material for the film, I will say that they certainly aren't stopping the hype either, which is leading the box-office predictors to think that The Dark Knight could attain record-breaking grosses on opening weekend. While attention does deserve to be drawn to Ledger as the Joker, he almost appears more in the trailers than Batman does. Isn't this a Batman movie, not a Joker movie? While Warners is certainly being cautious of how to market Ledger's performance, one has to wonder if the box-office grosses can be considered financial success, or blood money.

Lastly, is it wrong to even consider Ledger for an Oscar nomination based solely upon his death? Let's keep in mind that this is a superhero movie, not exactly the kind that usually warrants a slew of Oscars (although between Dark Knight and Iron Man, this may be the year that all changes). While I'm all for memorializing a gifted performer, at the same time, the Oscars are supposed to be awarded to the best performances of the year. If there's five better supporting performances this year, shouldn't they get what they deserve instead of what may be a sympathy vote and tribute to Ledger?

Pro-Hype: First off, Ledger as the Joker is hardly the first performance that has garnered immense hype even before the film's release. Just last year, Javier Bardem's chilling (and Oscar-baiting) performance in No Country For Old Men was being talked about months before its release. Similarly, Ellen Page's performance in last year's Juno was being hyped as having her as the next big thing, and it also turned out to be true. Very often, performances and films are hyped as having the big Oscar buzz long before anyone has seen them. Sometimes it pans out (No Country for Old Men, There Will be Blood), sometimes it doesn't (hello, Memoirs of a Geisha). THAT IS WHAT THE HYPE MACHINE DOES. Sometimes it's right, sometimes it's wrong. Overall though, Ledger's performance as the Joker shouldn't be knocked just because most people haven't seen it yet.

Yes, this is a superhero movie. The big guy in the batsuit let's us all know that. And yes, these films are generally not the kind that garner awards attention. But there's always an exception. In 1989, Jack Nicholson was nominated for a Golden Globe for playing, that's right, The Joker in Tim Burton's Batman. Sometimes performances in non-traditional Oscar movies are so strong that they break down those barriers and gain nominations. It's happened in the past with horror (Jodie Foster and Anthony Hopkins in Silence of the Lambs), sci-fi (Sigourney Weaver in Aliens) and even fantasy (Ian McKellen for The Lord of the Rings: The Fellowship of the Ring). As superhero movies have become a genre in and of itself, maybe it really is time that an actor got nominated for one, and Ledger as the Joker shouldn't be ignored just because he's dead.

As for any complaints of marketing Ledger to bring in a greater audience, let's keep this also in mind: while Batman broods in a cave, the Joker is the real performance for an actor to sink his teeth into, as has been evidenced by the various maniacal and over-the-top performances given by Nicholson, Caesar Romero, and others over the decades. Not only that, but the Joker is Batman's Big Bad Archenemy, and his presence in this new film, especially in a franchise praised for its refreshing take on the superhero genre, is of course going to garner attention. To keep the Joker out of the marketing would do no justice to the film. Overall, people deserve to see the performance and the film. If Ledger's presence is what brings them in, hopefully it will do it so that they discover a strong movie overall as well. Judging from the early reviews, Ledger's performance is just the icing on the cake of a fantastic film.

So overall, is the hype good or bad? Probably a little column A, a little column B. But as someone who hasn't seen the film yet, I'm still seeing it as a Batman movie first, a Heath Ledger movie second. If others go see it with the reverse intentions, that's fine. Overall, Heath Ledger was a fantastic performer long before he ever signed onto this movie, and deserves to have that tribute paid to him any way it can.

Continue reading "The Hype of Heath Ledger as the Joker: Justified?"